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This week I take a trip into the future of GiMP – by visiting Cinepaint. I read in the book “Welcome to Oz” from Vincent Versace (Tip for the German audience: Wenn ihr das Buch bei einem an den Großhandel LIBRI angeschlossenen Buchhändler bestellt, ist es billiger als bei Amazon!) how to adjust colours in LAB mode. He claims that it is much more intuitive than in RGB – and he is right.
I was so fascinated by playing with these colours that I spent a long time with that. If you get bored – just switch off. The only information after the start of John Pazdan’s “Lazy Ass” music is, that I save the curve for later use with the big image.
Result of this expedition into color space: There are no dragons out there, but now I want 16 bit and I want LAB! Now!
For converting an image to LAB you need a colour profile. I got mine from here, but the whole site is worth a visit.
At the very start of the video I take up the “opacity painting” and forward you a tip from Daniel, how to select an area of uniform opacity.
I said once: “No ads here!”, but here is one:
The TOC of this Episode
Selecting areas of same opacity (update for #54) 1:30
Colour spaces 4:00
LAB colour space 6:47
LAB degrades images in 8 bit 14:22
Visualisation of the colourspace by Cinepaint 21:36
Converting to LAB 22:36
Correting colours with the curves tool in LAB 24:00
Playing with the colours 27:10 (No real information after this point)
Music “Lazy Ass” by John Pazdan
Saving the curve for the large image 33:00
BTW, “hic sunt dracones” means “Here are dragons” and was used by a map maker in medieval times to mark unknown territory.
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